books by the artist
aus Sol LeWitt, Prints 1970 - 84, The Tate Gallery


Serial projekt, no I, in Aspen Magazine, no 5/6, section 17, 1966. 16pp. (including covers), 20,5 x 20,5

Carl Andre, Robert Barry, Duglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Laurence Weiner. New York: Seth Siegelaub/Wendler, 1968, 26pp.section. 28 x 21,5. Known as The Xerox book.

Set IIA, 1-24. Los Angeles: Ace Gallery, 1968. 28pp. 25,5x25,5. Edn. of 300.

49 three-part variations using three different kinds of cubes, 1967-68. Zürich: Bruno Bischofberger, 1969.28pp. 17x35,5. Edn. of 1000.

Drawings. London: Studio International, 1969. 32pp. 20x20. Edn. of 500 (Alternative title: Four basic kinds of straight lines and their combinations.)

Four basic colours and their combinations. London: Lisson Publications, 1971. 32pp. 20x20. Edn. of 500.

Arcs, from corners and sides, circles and grids and all their combinations. Berne: Kunsthalle Bern; Paris: Paul Bianchini, 1972. 208pp. 20,5x20,5. Edn.of 1000. Cover title: Arcs, circles and grids.

Cercles & lignes. Paris: Galerie Yvon Lambert, 1973. 8pp. 10,5x10,5. Edn. of 1000.

Seventeen squares with sixteen lines and one arc. (project for wall drawings). Portland (Or.) Portland Center for the Visual Arts, 1973. 18pp. 22x14. Italien edn. with the title Diciassette quadrati con sedici linee ed un arco, published by Galleria Toselli, Milana, 1974, 39pp. 19x13.

Arcs with straight lines, not-straight lines and broken lines: (project for 6 wall drawings). Houston: Cusack Gallery, 1973. 14pp. 22x14

Grids, using straight, not- straight & broken lines in all vertical & horizontal combinations. New York: Parasol Press, 1973; printed at Crown Point Press, Oakland (Calif.) 60pp. 27,5x27,5 28 etchings in an edn. of 25 copies with 10 artist‘s proofs.

The location of eight points: (project for wall drawings). Washington (D.C.): Max Protetch Gallery, 1974. 20pp. 14x14
2. Auflage: New York: M.Protech, 1977

Squares with sides and corners torn off. Brussels: MTL, 1974. 32pp. 14,5x14,5

La posizione di tre figure geometriche (The location of three geometric figures) Turin: Galleria Sperone, 1974. 12pp. 19x13

Incomplete open cubes. New York: John Weber Gallery, 1974. 264pp. 20,5x20,5 edn. of 2000

Untitled: Drawing series I, II, III, IIII A & B (1970). Turin: Galleria Sperone: Konrad Fischer, 1974. 224pp. 22,5x22,5

The location of lines. London: Lisson Publications, 1974. 48pp. 20,5x20,5

All combinations of arcs from four corners, arcs from four sides, straight lines, not-straight lines, and broken lines. Cover title: Arcs and lies Lausanne: Editions des Massons; Paris: Galerie Yvon Lambert, 1974. 56pp. 20,5x20,5.

Color grids. Brussels: MTL, 1975. 48pp. 20,5x20,5.

Lines & color. Zürich: Annemarie Verna; Basel: Rolf Peisig; Bari: Marilena Bonomo. 1975 72pp.Edn. of 1000

Grids, using straight, not-straight and broken lines in yellow, red & blue and all their combinations. New York: Parasol Press; printed by Crown Point Press; Oakland (Ca.), 1975. 45 Etchings in an edn. of 10 with 7 artists proofs. 27x27. Cover title: Color grids.

Grids, using all combinations of straight, not-straight and broken . Brussels: Pour Écrire la Liberté, 1975. 8pp. 25x25 Edn. of 1500.

Red, blue and yellow lines from sides, corners and the center of the page to points on a grid. Jerusalem: Israel Museum, 1975. 16pp. 18x18

Stone walls. Oakland (Calif.): Crown Point Press, 1975. 32pp. 14 photoetchings in an edn. of 8 cpies including 4 printers and 3 artists proofs. 23x23

The location of straight, not-straight & broken lines and all their combinations. New York: John Weber Gallery, 1976. 16pp. 20,5x20,5.

Geometric figures within geometric figures. New York: Parasol Press, 1976, printed by the Crown Point Press. 36 plates in an edition of 20 with 10 artists proofs 30,5x30,5

Geometric figures within geometric figures. Boulder (Colo.):Department of Fine Arts at the University of Colorado at Boulder, 1976. 52pp. 20,5x20,5

Modular drawings. Geneva: Adelina von Furstenberg in collaboration with Centre d‘Art Contemporain, Cité Universitaire, Geneva, 1976. 51 leaves. 15x15

Four basic kinds of lines and colour. London: Lisson Gallery/Studio International: New York: Paul David, 1977. 36pp. 20x20

Wall drawings at Sydney and Melbourne. Sydney: John Kaldor, 1977. 16pp 18x18. Cover title: Wall Drawings in Australia.

Brick Wall. New York: Tanglewood Press, 1977. 32pp. 26x22,5

Photogrids. New York: Paul David Press; Rizzoli, 1977. 48pp. 26x26,5

Color grids. New York: Multiples; Colombes: Générations, 1977. 92pp. 20,5x20,5

Five cubes placed on twenty-five squares with either sides touching. Bari: Galleria Marilena Bonomo, 1977, 100pp. 20,5x20,5

Five geometric structures and their combinations. London: Lisson Gallery(N. & F. Logsdail), 1979. 36pp. 10x20. Cover title: Open geometric structures.

Geometric figures and color. New York: H.N.Abrams, 1979. 48pp. 21x21

All four part combinations of six geometric figures. Tokyo: Galerie Watari, 1980. 16pp. 12x31

Autobiography. New York: Multiples; Boston: Lois and Michael K. Torf, 1980. 128pp. 26x26

Cock fight dance. New York: Rizzoli; Multiples, 1980. 48 leaves. 11x11

Crownpoint. Oakland (Calif.):Crownpoint Press, 1980, printed by Kevin Parker with Paul Singdahlsen and Peter Pettengill. 28x28. Edn. of 25

Six geometric figures and all their combinations. New York: Parasol Press, 1980. 2 vol.book of 63 etchings. 23x23. Edn. of 1 with 4 proofs.

Sunrise and sunset at Praiano. New York: Rizzoli; Multiples, 1980. 32pp. 20x20

Isometric drawings. New York: Paula Cooper Gallery and John Weber, 1982. 44 leaves. 23x23

Statues: a melodrama. Houston: Texas Gallery, 1982, printed by Watanabe. 19 plates of photolitos in an edn. of 15 with 8 artists proofs. 32x34

Venti forme derivate da un cubo. Roma: Ugo Ferranti, 1982. 40pp. 15,5x15,5

Lignes en quarte directions et toutes leurs combinations. Bordeaux: Musée d‘Art Contemporain, 1983. 36pp. 22x22,5. Unfolding to 22x396

Alighiero E. Boetti, Sol LeWitt, Giulio Paolini. Rome: Edizioni Pieroni, 1984. 28pp. 23,5x16,5

Ficciones, by Jorge Luis Borges; silkscreens by Sol LeWitt, printed by Jo Watanabe. New York: Limited Editions Club, 1984, printed by the Anthoensen Press (Maine). Xxxii, 307pp. 21x21. Edn. of 1500

From Monteluco to Spoleta: December 1976. Eindhoven: Van Abbemuseum; Weesp: Openbaar Kunstbezit, 1984. 40pp. 25,5x25,5